Q. What's your favorite childhood memory?
 My father used to train thoroughbred horses on our farm, and. . take me to the horse races. He'd take me behind the scenes to meet the jockeys and visit the beautiful Gypsy caravans and see the horses. 1 remember the vivid colors of the jockeys' satin vests and caps .. It was a really wonderful experience, really colorful.

Q. What was the most challenging experience for you as a kid, and how did you handle it?
 I was sent to a boarding school ... not unlike ... the boarding school in the Harry Potter movies, but without the magic, of course. That's an English tradition. You'd be away from home for two or three months at a time ... I missed my family a lot. It probably made me self-reliant and independent, which may have helped me later in life.

Q. When did you know you wanted to be an artist?
 It sort of happened almost by accident. I was given some paint for my birthday. You know how you have those sets of oil paints with the paint by numbers painting. . . I think I was about vine. I didn't think this thing was going to look like a painting, like a ship in the end, or a galleon. And it sure did. That fanned my interest.

Q. How does your creative process work?
 For me, the creative process is drawing something [out] from behind the veil ... and making it appear on the canvas ... I'll draw an abstract with varied shape, and I'll put it on the wall. I'11 look at it for a long time. I'll go and do something else, and I might just pass by it and look at it, and then I suddenly see a shape, a horse shape in there ... Then once you've made one step forward, it's much easier to continue ... It's jumped out of the canvas, or it's jumped from the invisible realm into this realm. Then I nurture it and nurture it. And I don't project my ideas on it. I'm more into nurturing something that I believe is already there.

Q. What advice do you have for kids who want to be artists?
 Well, the dictionary definition of talent ... is it's a gift from God. We need to develop that gift if we have it .. . In a way, you can be artistic in anything you do. If you really want to be an artist ... you have to study hard, and keep on going .. . There are three aspects to being a successful artist. One is to have a vision. That can be your specific way of saying something new. ... Then number two, you have to develop your technique, or develop a way of expressing that vision ... You have to find the medium that's most suited for you ... And then the third thing is marketing. You have to find your audience for that product that you make ... Go and set up [your work] and show what it is you've done.

Q. Why do you think we should develop our creativity?
 We live a better life when we cultivate the creative side of our nature. We form better relationships with each other, even in times of difficulty. ... I think that creativity ... is warm and positive ... If you cultivate the creative side of your nature ... when you meet [people], they will respond to that. It opens up the doors of opportunity.

Q. If you had one wish for Brilliant Star readers, what would it be?
 I read ... Brilliant Star to my children all the time, and as I say to them, don't compare your life or your situation with anyone else's ... Follow your dreams. And if you don't have one yet, don't worry. It will come to you in time. There's an invisible force all around us, trying to help us, so just do the best you can in everything you do.

Left: Ivan at age 10, enjoying vacation with his mother in Brighton, England. Right: At age 13, Ivan loved going to the horse races in Doncaster, England.
Q. How have your travels helped with your painting?
 Each country has their own customs and beliefs and artistic expression ... That's on the surface. But art is a universal language, and it transcends those limitations• • • You can touch someone's heart with your artwork, even if they don't speak the lame language. Traveling helped me appreciate all the differences.
Top: Ivan's painting of the young Shoghi Effendi, who enjoyed riding horses.* Left: ˇvan works on a portrait of Abdu'I-Bahá.* Right: ˇvan, his wife Lystra, and their son, Hashme, at their honre in Arizona, U.S. Next to them is a portrait of Táhirih, an early Bahá'í hero.

 

"If you're painting inch by inch, eventually those inches add up to miles," says artist Ivan Lloyd. Ivan and his paintbrushes have traveled thousands of miles, creating remarkable paintings and exploring the globe. Born and raised in England, Ivan attended the University of London. He went on to study and practice his art in Europe, India, Africa, and the U.S. His diverse travels have contributed to paintings that seem to jump off the canvas and into your imagination. His work is exhibited, published, and collected around the world. Ivan is a renowned, award-winning painter of Arabian horses. He has also created dozens of paintings showing events in Bahá'í history, several of which illustrate books he has written about early heroes of the Faith. Today, Ivan lives with his wife, Lystra, and their two children in Tucson, Arizona.